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Please visit the Solo
Competition Winners Page for photos and more information.
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I
Dan
Kempson, Baritone
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| Bugles
Sang, War
Requiem |
Benjamin Britten |
| The
trumpet shall sound, Messiah |
George
Frideric Handel |
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Linda
Hall, accompanist
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II
Nils
Neubert, Tenor
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| Frohe
Hirten, Christmas
Oratorio |
Johann
Sebastian Bach |
| Sanctus,
Messe
solennelle de Sainte Cécile |
Charles
Gounod |
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Linda
Hall, accompanist
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III
Youngmi
Kim, Soprano
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| Nun
beut die Flur, Die
Schöpfung |
Joseph
Haydn |
| Capricious
man, Saul |
George
Frideric Handel |
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Linda
Hall, accompanist
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IV
Jonathan
Estabrooks, Baritone
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| Easter,
Five
Mystical Songs |
Ralph
Vaughan Williams |
| Why
do the nations rage, Messiah |
George
Frideric Handel |
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Bryan
Wagorn,
accompanist
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V
Blythe
Gaissert, Mezzo-soprano
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| Softly
and gently, The
Dream of Gerontius |
Edward
Elgar |
| Liber scriptus, Messa da
requiem |
Giuseppe Verdi |
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Djordje
Nesic, accompanist
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VI
Edward
Mout, Tenor
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| Benedictus,
Mass in B
minor |
Johann
Sebastian Bach |
| Ev’ry
valley, Messiah |
George
Frideric Handel |
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Linda
Hall, accompanist
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VII
Christopher
Reames, Baritone
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| Et
in spiritum sanctum, Mass
in B minor |
Johann
Sebastian Bach |
| Is
not His word like a fire, Elijah |
Felix
Mendelssohn |
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Linda
Hall, accompanist
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VIII
Emily
Duncan-Brown, Soprano
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| Hear
ye, Israel, Elijah |
Felix
Mendelssohn |
| Alleluiah,
Exsultate
jubilate |
Wolfgang
Amadeus Mozart |
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Linda
Hall, accompanist
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P
r e s e n t a t i o n o
f A w a r d
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The Ruth Lopin Nash Award was created in 1983 by
the Lopin family in memory of the late Mrs. Nash, a
music lover and musician. Ellen Lopin Blair, Chairwoman
of the Society and a member of the chorus, will present
the award in honor of her sister.
Second Place
$5,000
The Stanley C. Meyerson Award was created in his memory in 2004 by his family. His sister Linda Amster, a
member of the chorus, will present the award.
Third Place
$2,500
The Docia Goodwin Franklin Award was created in
her memory in 2008 by her grand-daughter, Joanne
Spellun, a member of the chorus. Ms. Spellun will
present the award.
Other Finalists
$500 each
These awards will be presented by Janet
Plucknett, Competition Chairwoman and Vice President of
the Society.
Richard
Westenberg Awards
$500 each
Created in 2009 by Musica Sacra in memory of its
late founder, a longtime Solo Competition judge, these
two awards for excellence in 18th and 19th
century stylistic interpretation are given
at the discretion of the judges. Kent Tritle will
present them.
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The C
o m p e t i t i o n C
o m m i t t e e
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Janet Plucknett, Competition Chairwoman
Kent Tritle, Music Director • David Rosenmeyer,
Associate Conductor
Judges: Julianne
Baird • Stephen Fox • Alfred F. Hubay
Jeffrey S. Larson • Frank Nemhauser • James Noble
• Rachel Rosales
David Rosenmeyer •
Peter Stewart • Kent Tritle
Staff:
Tim Dwight • Susan Kern • Grace Matubis
Joanne Spellun • Judy Williams
Program development and production: Marie Gangemi
Flowers
courtesy of Susan Fisher and Gary Schieneman
in memory of Grace Fisher and Dr. Bruce Schieneman.
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Julianne Baird
maintains a busy concert and recording schedule of solo
recitals and performances of baroque opera and oratorio.
She will makes her Australian debut in May.
With more than 130 recordings to her credit,
Julianne Baird has been
named one of the world’s ten most recorded
classical artists. In addition to her major roles in a
series of acclaimed recordings of Handel and Gluck
operatic premieres, upcoming releases include
Handel
Dramatic Arias with Oboe from Alcina
and Rinaldo
with the Dryden Ensemble.
In 2010 she turned her attention to the music of
18th century women composers, recording the
complete Biblical
Cantatas of Elisabeth Jacquet de la Guerre and the
Milanese composer, Maria Theresa Agnesi.
The premiere CD of the 18th-century
Venetian composer Anna Bon was released by La
Donna Musicale in May 2010.
Dr.
Julianne Baird is recognized internationally as one
whose “virtuosic vocal style is firmly rooted in
scholarship.” Her book Introduction to the Art of
Singing, Cambridge University Press, now in its
third printing, is used by singers and professional
schools internationally. The
Musical World of Benjamin
Franklin (CD and song book) was released in 2007 by
The Colonial Institute.
Alfred F.
Hubay's career at the Metropolitan Opera spanned
over 60 years and included the positions of House
Manager, Box Office Manager, and Consultant to the
Marketing and Box Office operations. He was a
panelist on the Texaco Opera Quiz for 38 consecutive
years.
Mr. Hubay serves on the boards of the Oratorio
Society of New York, the Glimmerglass Opera, the
George London Foundation for Singers,
and the Martina Arroyo Foundation. He is
vice-president of the Bagby Foundation for the Musical
Arts and a trustee for the Lanie and Ethel Foundation
and is on the advisory board of the Richard Tucker Music
Foundation. He is also a judge for the George London
Foundation, Opera Index, Opera at Florham, and the
Marcella Sembrich Voice Scholarship Competition.
In 1979 Mr. Hubay was awarded the Verdi
Medal of Achievement by the Metropolitan Opera
National Council.
Jeffrey
S. Larson is an Associate Manager in the Vocal Division at Columbia
Artists Management. A Texas native, he works with a
distinguished roster of artists who perform with leading
opera companies and symphony orchestras around the
world. As a
performer, Mr. Larson was heard at the Aspen Music
Festival, Pine Mountain Music Festival, and with Opera
North in New Hampshire.
A former voice instructor in Houston, his
students consistently received recognition at district
and regional competitions presented by the National
Association of Teachers of Singing and at Texas State
solo and choral competitions.
He holds a Bachelor of Music in Vocal Performance
from Texas Tech University, a Master of Music in Vocal
Performance from the University of Kentucky, and a
Master of Arts in Performing Arts Administration from
New York University.
He currently resides in New York City with his
wife Jessica and their dog Lily.
Frank
Nemhauser is Music Director of the Berkshire Choral
Festival and the Westchester Choral Society and Director
of Vocal Studies at the Mannes College of Music. He has
served as Music Director of the Hartford Chorale, Chorus
Director of the Baltimore Symphony Orchestra, and
Associate Director of the Collegiate Chorale. Mr.
Nemhauser has been a guest conductor with the Houston
Masterworks Chorus, the Dessoff Choirs, the Greenwich
Choral Society, and the Handel Choir of Baltimore and
has led workshops and clinics for the Metropolitan Opera
Guild, the San Francisco Symphony Chorus, the New
Amsterdam Singers, the Augusta Choral Society, the
Pennsylvania Music Educators Association, and the
Southwestern Virginia Spotlight on the Arts Festival. In
addition to conducting at the
Festival’s home in the Berkshires, Mr. Nemhauser has
led BCF performances in Santa Fe, New Mexico,
Canterbury, England, and Salzburg, Austria.
As a singer, Frank Nemhauser has appeared
throughout the United States and Europe, appearing with
the New York City Opera National Company, the Ensemble
for Early Music, and Chanticleer and has performed at
numerous festivals including Tanglewood, Edinburgh,
Aspen, and Spoleto.
Kent
Tritle marks his sixth season as Music Director of
The Oratorio Society of New York. In addition to leading
the Society’s annual Messiah performances, he has conducted repertoire such as
Mendelssohn’s Paulus,
Saint-Saëns’ Messe
de requiem, and Paul Moravec’s Songs
of Love and War. Under his leadership, in 2010 the
Society’s bass section joined the New York
Philharmonic and music director Alan Gilbert for a
performance of Varèse’s Nocturnal.
In 2008, the Society joined the Juilliard Orchestra
in a performance of Bernstein’s “Kaddish,” also
conducted by Alan Gilbert, as part of the Bernstein:
The Best of
all Possible Worlds festival.
Mr. Tritle is founder and Music Director of
Sacred Music in a Sacred Space, the acclaimed concert
series at the Church of St. Ignatius Loyola, Music
Director of Musica Sacra, Director of Choral Activities
at the Manhattan School of Music, and a member of the
graduate faculty of The Juilliard School, currently
directing a graduate practicum on oratorio and teaching
choral conducting. An acclaimed organ virtuoso, he is
also the organist of the New York Philharmonic.
In December 2010 WQXR launched “The Choral Mix
with Kent Tritle,” a weekly show that explores the
extraordinary riches of the choral repertoire. Airing
every Sunday at 7:00 a.m. and 11:00 p.m.,
it showcases the breadth of activity in New York’s
choral community, and around the world.
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O f f i c
i a l A c c
o m p a n i s t
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Linda Hall is currently on the staff of
the Metropolitan Opera as an assistant conductor. Ms.
Hall has frequently performed on the Texaco Metropolitan
Opera radio broadcasts. She has adjudicated the regional
Metropolitan Opera National Council Auditions, and has
been the official pianist for the National Council
semifinals onstage at the Metropolitan Opera for several
years.
Ms. Hall collaborates with many singers and
instrumentalists in concerts throughout the United
States and abroad. She has recorded with cellist Jascha
Silberstein on the Heritage label and with flutist
Patricia Spencer on the Neuma label. During the summer,
she has taught master classes in Israel, Japan, and
China. Linda Hall is a native of New York State. She
resides in White Plains.
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For Ticket or Solo Competition Information, please
contact:
Ms. Janet Plucknett
Competition Chairman
Oratorio Society of New York
1440 Broadway 23rd floor
New York, NY 10018
E-mail: solocompetition@oratoriosocietyofny.org.
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